MissRibena
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Purple said:When you look at how much our behaviour has in common with other higher mammals it seems absurd to me to ignore the genetic and therefore subconscious and instinctive link.
I was also suggesting that since we have no real idea what was regarded as the ideal by the masses hundreds of years ago, as the historical record is confined to one very narrow group, it is not a good idea to construct a sociological argument around the images that we do have.
I wasn't talking about portraits; I was talking about the practice of paying an artist to put your wives, daughters of mothers face on the Virgin Mary or whomever in their latest Church commissioned painting.
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(I don't know how to tackle your quotes bit by bit, so I have to do it paragraph at a time - sorry)
Re the first point. I'm not saying ignore it but because it is unproven how much is from our genes and how much is cultural then we have to be careful. I believe it is dangerous to give genes too much credit for how we are - it restricts us from pushing bounderies and progressing.
Why would wealthy men fancy different-looking women to the masses at any time in history? Fair enough, the wealthy man might have more of a chance of getting the woman of his dreams into bed but that doesn't stop the poor man dreaming of her.
I don't think that men paid for their female relatives faces to be tranposed on religious paintings in the Rennaissance. Have you something in particular in mind? Allegorical paintings were more common in later centuries but still not the norm, especially for women. And even then, works in the history painting genre (incl. religious art works) tended to follow the prescribed classical "ideal" beauty; a generic type of beauty based on proportion etc. not generally to be found in nature at all but rather based on sculpture surviving from ancient Greece and Rome and also based on writings by the likes of Vitruvius.
Rebecca