Anybody see "Mulholland Drive"?

elefantfresh

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Watched it last night - man, I know David Lynch movies are messed up but this one took the biscuit! Read up on wikipedia this morning what it was all about and i'm still confused! Lots of little stories all becoming more and more intertangled. Was it all a dream? Was just some of it a dream?
Madness.
 
Re: Anybody see Mulholland Drive?

Turned it off before the end...had enough. Rubbish in the highest order...down there with Magnolia
 
Re: Anybody see Mulholland Drive?

I think all of Lynch's stuff is at least interesting and some of it I love.
Darkly amusing, original & often creepy.

Can't pretend to have understood Mulholland Drive though.

Magnolia? Excellent movie.
 
Re: Anybody see Mulholland Drive?

It's one of the best films Lynch has done. A work of genius. I spent a while working this out with friends of mine, so I can mail you our conclusions, elefantfresh, if you are interested!
 
Re: Anybody see Mulholland Drive?

It's one of the best films Lynch has done. A work of genius. I spent a while working this out with friends of mine, so I can mail you our conclusions, elefantfresh, if you are interested!


A work of genius ? but yet you spent a while working it out ?

Contradictory, yer honour !!

If it's a work of genius, it should be understandable as you go, not analysing it with others for a time afterwards....that makes it a work of confusion.
 
Re: Anybody see Mulholland Drive?

Its certainly confusing! But i suppose all of his stuff is that way inclined. Meant to make you think i guess. How much were we all talking about Twin Peaks when that came out? Nobody knew what was going on!
Shnaek - i'd certainly like to hear your conclusions. Maybe i should watch it again. Buddy reckons 3 watches and he got his head around it. I suppose you could take lots of meanings from it really.
Bottom line i guess "did you enjoy it?" and yes, i did certainly. Maybe i'm just too simple for this sort of movie! Bring back John McClane, all is forgiven!
 
Re: Anybody see Mulholland Drive?


Not necessarily. There is of course, genius in simplicity. But some things take discussion to bring out meaning - and I say meaning, not true meaning. Who knows what Lynch truely meant with the film? He will probably never say. But in the tradition of book clubs or any other sort of club where works are debated, just because a film, book or piece of art requires analysis and discussion does not mean it is not a work of genius. So perhaps there is a certain genius in confusion!
 
Re: Anybody see Mulholland Drive?

Watched it on tv3 last week i think, but was bored so switched it off and watched Q&A with Nick Nolte.
Then switched back when that ended and caught the end and it seemed really confusing.
 
Re: Anybody see Mulholland Drive?

If it's a work of genius, it should be understandable as you go, not analysing it with others for a time afterwards....that makes it a work of confusion.
Have you read Ulysees? Rated as the greatest novel written but I couldn't get past page 10.

Mulholland Drive was quite confusing but at least it forced you to engage your brain which is more than can be said for the tripe that's in the cinema at the moment.
 
Re: Anybody see Mulholland Drive?

It's one of the best films Lynch has done. A work of genius. I spent a while working this out with friends of mine, so I can mail you our conclusions, elefantfresh, if you are interested!

This is what people say when they cant understand it. Then everyone starts calling it a classic so they dont feel thick for thinking it was a load of .........
 
Re: Anybody see Mulholland Drive?

This is what people say when they cant understand it. Then everyone starts calling it a classic so they dont feel thick for thinking it was a load of .........

It's impossible to understand that movie first time unless you're completely alone in a room watching it. So i seem to think you're making sense gramlad but i havn't seen the movie myself only parts of it.
 
Re: Anybody see Mulholland Drive?


Right on Shnaek. Lots of ink wasted trying to explain the Mona Lisa's smile and there are lots of theories regarding Picasso's extensive use of the images of the bull and the horse (he said that the bull is just a bull and the horse is just a horse). Salvador Dali said that just because he couldn't tell you what his images mean doesn't mean they don't have any meaning. Maybe that's true of David Lynch also.
 
I watched it again yesterday after reading the explanation that Shnaek sent me (thanks again Shnaek). Now I understand it. Makes total sense and is actually much more clever than i first thought. Well worth a second sitting.
 
I watched it again yesterday after reading the explanation that Shnaek sent me (thanks again Shnaek). Now I understand it. Makes total sense and is actually much more clever than i first thought. Well worth a second sitting.
Care to forward that explanation? Please.
 
Its quite long - I hope I dont get into trouble for putting this up - dont see anything in the rules. Anyways, here you go - with thanks again to Shnaek....

First of all- BACKGROUND INFORMATION
Betty, one of the blonde actresses is not Betty- Her real name is Diane Sellwyn. She lives in Canada, won a dance contest and is now in California trying to become an actress. Her aunt died and left her $50,000. She meets Camilla Rhodes, a well known actress on the set of the SYLVIA NORTH STORY directed by Adam Kescher (sp?) Here, the two girls start having a steamy affair, except Diane's love for Camilla is not reciprocal. Camilla tries to break up with her, but it does not work. At the same time, she is playing a malicious mind game with Diane-inviting her to parties, etc., just for her to witness Camilla and Adam's new found love relationship.
One night at a party, Diane breaks down when she realizes Adam and Diane are to be married. Diane freaks out, and hires a hit man to kill Camilla. He says to her that once the deed is done, a blue key will await her in her house.
Other characters we meet during this party/time is COCO, Adam's mom, a weird cowboy, and a mobster-looking man sitting at a table. We also overhear important comments: Such as Adam finding his wife and pool boy together. We also hear Coco say, "Call me Coco Everyone else does" These quotes will prove to be important later. We also learn that Diane has this other fallback girlfriend with whom she has recently broken up. Her other girlfriend has all of her belongings at Diane's house, and wants them back.
So Diane, miserable, hires the hit man, and goes to bed that night. Before she does, she reminisces (sp?) about her jitterbug contest, and then goes to sleep. This is the very beginning of the movie, during the credits, where we see the montage of jitterbug dancers and then we see her head going down towards red satin sheets and the screen fades to black as she falls asleep.
The following - the body of the movie- is her dream
The dream begins with "Camilla" in the back seat of a limo, she is almost shot by hired hit men, but a freak accident allows her to escape-but also erases her memory.
This NEVER HAPPENED. This is just in Diane's dream. Her guilt and regret was manifested here, she dreamt/hoped Camilla would get away.
In Diane's dream, Diane is personified as Betty- a perfect, innocent, wonderful actress. Something she never was nor will be. This is sad, to me- that her dream is just made up of hope and wishes... BUT ANYWAY
So, we meet Betty, who is really a perfect clone of Diane, and throughout the movie "Betty" is helping this amnesiac "Camilla" (who refers to herself as Rita). This is also Dianes way of wishing/dreaming she and Camilla were together--the two women do eventually become together.
We also have the character of Adam K who is directing his movie. However, he needs to replace his lead actress in his movie? Why, is Diane dreaming this? Well probably because Camilla in real life is the lead actress, and she knows Camilla will be dead, and Adam will have to re cast the part.
Diane hates Adam and therefore gives him a terrible day in her dream. His wife is found with a pool boy- this is important because he mentioned this that night at the party and she incorporated it into her dream.
Also he is forced to cast a certain "Camilla Rhodes" for his lead actress. This is important because this is Diane rationalizing in her dream why Camilla got all the good parts in movies, and she got nothing.
She dreamt there were major Hollywood conspiracies, and that even though Betty or Diane was an AMAZING actress, Camilla Rhodes would get the part. This was evident when Betty/Diane tried out for a part and did an amazing job. Although the real Diane probably could not have accomplished this feat, in her dream she saw herself doing this, but all for nothing because Camilla Rhodes had been chosen by the mob/weird group of people forcing Adam to choose her. WINKIES is also important- This, to me, is just a manifestation of lust, evil, greed, malice... All these feelings motivate evil in our world, therefore it does it all. It would seem that if someone saw all of this pure evil, they would die- like the man did. WINKIES is also important because this is where the real Diane was talking to the hit man. She noticed a waitress, Betty- a cute, bubbly girl- and subsequently took her personality in her dream and switched the two names.
ALSO- important. All the mob people made Adam say "THIS IS THE GIRL" they repeated this over and over. Note when real Diane gives the pic of Camilla R to the hit man, she says "THIS IS THE GIRL" She also has $50,000 in her purse. In her dream, everyone is using her words "THIS IS THE GIRL" about Camilla becoming the actress. Rita also has the $50,000 in her purse. Again this is reversing/incorporating everything in her dream... It proves it's a dream.
This is the girl" is important because it's using Diane's own words to provoke guilt, etc. in her dream.
When RITA and BETTY find the dead body in the bed of Diane's apt, this, to me- is just the realization in DIANE's mind that she is in fact dead without Camilla. Like I mentioned before, the sequence of the dead body, and most of the movie, is a dream, and Diane went to bed quite guilty and remorseful and probably contemplated suicide....this is the result.
ALSO- the hit man portrayed in the dream is INCOMPETENT! He cannot carry out a task, which is Diane's subconscious hoping dreaming that he will mess up his job with Camilla.
SO in the dream, the two women become very very close, something Diane always wanted, and in a way was getting... they have a wonderful relationship where Betty/Diane is helping Rita/Camilla, and Camilla/RITA respects and loves Diane/Betty as well.
UNTIL....CLUB SILENCIO!!! This is my all time favorite scene. No hay banda--- everything is an illusion-- this is SUCH a symbolic scene- here we realize everything so far is an illusion- that nothing is what it seems. Ever have a dream when you know you're dreaming? Well that's what Betty/Diane did, she started to realize this beautiful thing with herself and Camilla/Rita was about to end, and therefore she started convulsing.
Rebekah Del Rio serenaded us beautifully about Diane's feelings for Camilla, and the two women begin to cry - they know what's about to happen subconsciously... they know it's about to end.... That would explain that. And the fact that REBEKAH dies while singing, this shows again that its over.

Diane awakens from her dream...
So then Betty disappears, Rita opens the box... and we have Diane waking up from her dream. The weird cowboy says, wake up. She had seen the Cowboy at the party and incorporated him into her dream.
Diane is now Diane....no more Betty. The colors are less vivid, sound track is dull, dream's over. The rest of the movie is a series of flashbacks/present, but is all reality.
Diane's GF comes to get the ashtray, the blue key is there.. but wallah the key is gone! A flashback to Camilla and Diane-- Camilla trying to break up with Diane... then the set of the movie- Adam and Camilla- all I explained before.
Then we have the night of the party, where Diane gets her ideas for her dream. The limo, the cowboy, the pool story, "call me Coco", the jitterbug contest, Adam and Camilla, the espresso ... Such a sad movie
So in the end, the first two shots of the movie are set in present time, everything else is a dream, go back and watch it- It all makes sense. Then Diane wakes up and you find out why she dreamt what she dreamt...
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Sequence of Events in Mulholland Dr.
1. Diane wins the Jitterbug contest. Her family (the old man and old woman) is there and cheers for her. (this is much earlier than any of the rest of the movie. years possibly)
2. Camilla and Diane fool around on the couch (notice the ashtray). Camilla says that they shouldn't do that anymore.
3. Camilla and the director talk and kiss in the car for the movie.
4. Diane gets a phone call and is told to get in the limo. She is dropped of at the bottom of the directors house. The dinner scene occurs in which she finds out that her lover Camilla and the director are getting married.
5. Diane sits in a restaurant with the hit-man and tells him to kill Camilla.
6. Diane returns home and feels guilty.
7. She falls asleep on the pillow.
8. Diane has a long dream. What happens in this dream is coming from guilt and the people surrounding her life. The director who is getting married to her x-lover has a terrible life. Her x-lover loves her again. Diane is an amazing actress and does a great job. The part with the men in the restaurant and the monster is all just a part of the dream. The cowboy has nothing to do with the movie for the most part. He was just seen by Diane at one point and he stuck with her so heÕs in her dream. Her dead aunt shows up. She mixes up names just like everybody often does in dreams. None of this is real. There are many things her dream feeds off of... to many things to try to explain. The dream begins with Camilla (Rita) in the car and ends with the cowboy waking her up. That is all within her dream.
9. A knocking wakes Diane up. It is her neighbor looking for the rest of her belongings. She picks up her ashtray (notice the blue key) and says that there are detectives looking for Diane.
10. While making coffee, Diane thinks she sees Camilla (who she just had killed). Its just a daydream.
11. Diane goes and sits on the couch and stares at the blue key. Someone is knocking (I think that this could be the detectives looking for Diane). The little people are her family representing her conscience. She gets scarred of the knocking and the haunting visions of her loved ones and she runs into her room and shoots herself.
THE END
This is the order in which the movie plays out.
1, 7, credits, 8, 9, 10, 2, 3, 4, 5, 6, 11 end credits